DE MONTFORT
UNIVERSITY
Department of
History of Art and Material Culture
Module Leader: Emily
Baines
CULTURAL IDENTITY
BIBLIOGRAPHY
As
well as the academic sources listed below, it is expected that you will read
widely in relevant design magazines, academic journals and newspapers.
As
far as possible, the subject area bibliographies are structured into two
sections, of cultural theory and relevant design analysis. Much of cultural
studies writing is very dense in theory. Do not be put off! There are very
useful ideas in these texts, which are relevant to design and craft practice.
*Barker, C. Cultural
Studies: Theory and Practice, Sage Publications, 2000.
Billington, R. et al Culture
and Society, MacMillan Press, 1991.
*Dant, T. Material
Culture in the Social World, Open University Press, 1999.
During, S. (ed.) The
Cultural Studies Reader, Routledge, 1993.
Eagleton, T. The
Idea of Culture, Blackwell Publishers, 2000.
Fiske, J. Understanding Popular Culture, Unwin
Hyman, 1989.
Gergen, K. &
Shotter, J. Texts of Identity, Sage, 1989.
Hall, S. Representation, Cultural Representations and
Signifying Practices, Sage and Open University, 1997.
Hall, S. & du Gay, P. (eds) Questions of Cultural Identity, Sage Publications, 1996.
Goffman, E. The
Presentation of the Self in Everyday Life, Penguin Books, 1959.
Lury, C. Consumer
Culture, Polity Press, 1996.
Rutherford, J.(ed) Identity:
Community, Culture, Difference, Lawrence & Wishart, 1990.
*Storey, J. Cultural Consumption and Everyday Life,
Arnold, 1999.
Storey, J. (ed) What is Cultural Studies? A Reader,
Arnold, 1996.
The
Polity Reader in Cultural Theory, Polity Press, 1994.
Connor, S. Postmodernist Culture: An Introduction to
Theories of the Contemporary, Basil Blackwell, 1989.
Featherstone, M. Consumer Culture and Postmodernism,
Sage, 1991.
Harvey, D. The Condition of Postmodernity,
Blackwell, 1990.
Jameson, F. Postmodernism,
or, The Cultural Logic of Late Capitalism, Verso, 1991.
Jencks, C. The
Post-Modern Reader, Academy Editions, 1992.
Krauss, R. The
Originality of the Avant-garde and Other Modernist Myths, MIT Press, 1985.
Lyotard, J. The Postmodern Condition: a Report on
Knowledge, Manchester University Press, 1992.
Norris, C. The Truth
about Postmodernism, Blackwell, 1993.
Papadakis, A. (ed) Postmodernism
on Trial, Academy Editions, 1986.
Thackera, J. (ed) Design
after Modernism: Beyond the Object, Thames & Hudson, 1988.
Collins,
M. Post-Modern Design, Academy
Editions, 1989.
Del Vecchio, M. Postmodern Ceramics, Thames & Hudson, 2001.
Dormer, P. The New
Jewelry: Trends and Traditions, Thames & Hudson, 1994.
Jencks, C. What is Post-Modernism?, Academy Editions, 1986 (3rd
ed., 1989).
Barker, C. Cultural
Studies: Theory and Practice, Sage Publications, 2000.
Barnard, M. Fashion as
Communication, Routledge, 1996.
Barthes, R. Image, Music, Text, Fontana Press, 1977.
Barthes, R. ‘The
Rhetoric of the Image’, in Gray, A. & McGuigan, J. (eds.) Studying Culture: An Introductory Reader,
Arnold, 1993, pp15-27.
Bayley, S. Sex, Drink
and Fast Cars: the Creation and Consumption of Images, Faber, 1986.
Foucault, M. The
Archaeology of Knowledge, Routledge, 1972.
Guiraud, P. Semiology, Routledge & Keegan Paul,
1975.
Kuhn,
A. The Power of the Image: Essays on
Representation and Sexuality, Routledge, 1992 (first edition 1985).
O’Sullivan, T. et al Key
Concepts in Communication and Cultural Studies, Routledge, 1994.
Walker, J.A. Design History and the History of Design,
Pluto Press, 1989.
Williamson, J. Decoding Advertisements: Ideology and
Meaning in Advertising, Marion Boyars, 1984.
Anderson, B. Imagined Communities: Reflections on the Origins and Spread of
Nationalism, Verso, 1983.
Ashcroft,
B., Griffiths, G., Tiffin, H. The
Post-Colonial Studies Reader, Routledge, 1995.
Ashcroft,
B. & Ahluwahlia, P. Edward Said: the Paradox of Identity,
Routledge, 1999.
Bhabha, H.K. ‘The Postcolonial
and the Postmodern’, in During, S. (ed.) The
Cultural Studies Reader, Routledge, 1993, pp189-208.
Edensor,
T. National Identity, Popular Culture and
Everyday Life, Berg, 2002.
Greenhalgh, P. Ephemeral Vistas: Expositions Universelles,
Great Exhibitions and Worlds Fairs, 1851-1939, Manchester University Press,
1988.
Holmes, C. John Bull’s
Island: Immigration and British Society, 1871-1971, MacMillan, 1988.
Ifekwunigwe, J. Scattered Belongings: Cultural Paradoxes of
‘Race’, Nation and Gender, Routledge, 1999.
King, R. Orientalism and Religion: Postcolonial
Theory, India and ‘the mystic East’, Routledge, 1999.
Leersen, J. National
Identity: Symbol and Representation, Rodopi, 1991.
MacDonald, S. Inside
European Identities, Berg, 1993.
McClintock, A. ‘The
Angel of Progress: Pitfalls of the Term ‘Postcolonialism’ ‘ in Barker, F.,
Hulme, P. & Iversen, M. (eds.) Colonial
Discourse/ Postcolonial Theory, Manchester University Press, 1994.
McClintock, A. Imperial Leather: Race, Gender and Sexuality
in the Colonial Context, Routledge, 1995.
MacKenzie, J. Orientalism:
History, Theory and the Arts, Manchester University Press, 1995.
Nochlin, L. ‘The Imaginary Orient’, Art in America, May 1983, pp118-31, 187-91.
Panayi, P. The Impact
of Immigration, Manchester University Press, 1999.
Said, E. Orientalism:
Western Conceptions of the Orient, Penguin, 1995 (first pub. 1978).
Smith, A.D. National
Identity, Penguin Books, 1991.
Doy, G. Black Visual
Culture: Modernity and Postmodernity, I.B. Tauris, 2000.
Frith, W. ‘Sex,
Smallpox and Seraglios: a Monument to Lady Mary Wortley Montagu’, in Perry, G.
& Rossington, M. (eds.) Femininity
and Masculinity in 18th C. Art and Culture, Manchester
University Press, 1994.
Lynch, A. Dress, Gender and Cultural Change: Asian American and African American
Rites of Passage, Berg, 1999.
Munby, Z. ‘Representations of
Women and Race in the Lancashire Cotton Trade’, in Attfield, J. & Kirkham,
P. A View from the Interior, The
Woman’s Press Ltd, 1989.
Picton, J. The Art of African Textiles: Technology,
Tradition and Lurex, Lund Humphries, 1995.
Powell, R. Black Art
and Culture in the 20th Century, Thames & Hudson, 1997.
Uncommon
Beauty in Common Objects: the Legacy of African American Craft Art,
National Afro-American Museum and Cultural Center, Ohio, 1993.
Sweetman, J. The Oriental Obsession: Islamic Inspiration
in British and American Art and Architecture 1500-1920, Cambridge
University Press, 1988.
Troy, N. ‘The Logic
of Fashion’, Journal of the Decorative
Arts Society, No. 19, 1995, pp1-7. (on Poiret’s Oriental designs)
Tulloch, C. ‘That Little Magic Touch: the Headtie’, in ,
pp63-78.
Cormack, P.
‘Recreating a Tradition: Christopher Whall (1849-1924) and the Arts and Crafts
Renascence of English Stained Glass’ in Bowe, N. (ed.) Art and the National Dream, Irish Academic Press, 1993.
Greenhalgh, P. ‘The English
Compromise: Modern Design and National Consciousness, 1870-1940’, in Kaplan, W.
(ed.) Designing Modernity: The Arts of
Reform and Persuasion, 1885-1945, Thames and Hudson, 1995.
Merrett, D. & Whitwell, G.
‘The Empire Strikes Back: Marketing Australian Beer and Wine in the United
Kingdom’, in Jones, G. & Morgan, N. (eds.) Adding Value: Brands and Value in Food and Drink, Routledge, 1994,
pp162-188.
McDermott,
C. Street Style: British Design in the
80s, The Design Council, 1987.
Sparke, P. (ed.) Did Britain Make It? British Design in
Context 1946-86, The Design Council, 1986.
The British Council Lost and Found: Critical Voices in New
British Design, The British Council, 1999.
Thackera,
J. & Jane, S. New British Design, Thames & Hudson,
1986.
Brunhammer, Y. French Decorative Art: The Société des
Artistes Décorateurs, 1900-1942, Flammarion, 1990.
MacDonald, J. ‘Let us
now praise the name of famous men’: Myth and Meaning in the Stained Glass of
the Scottish National War Memorial’, Journal
of Design History, Vol. 14, No. 2, 2001, pp117-128.
Jarman, N. ‘Material
of culture, fabric of identity’, in Miller, D. (ed.) Material Cultures: Why Some Things Matter, UCL Press, 1998,
pp121-145.
Kinmouth, C. ‘Rags
and Rushes: Art and the Irish Artefact, c1900’, Journal of Design History, Vol. 14, No. 3, 2001, pp167-185.
Greenhalgh, P. ‘The
Struggles within French Furniture’, in Greenhalgh, P. (ed.) Modernism in Design, Reaktion Books,
1990.
Troy, N. Modernism
and the Decorative Arts in France, Yale University Press, 1991.
Gaughan, M. ‘The Cultural
Politics of the German Modernist Interior’, in Greenhalgh, P. (ed.) Modernism in Design, Reaktion Books,
1990.
Reisenfeld, R. ‘Cultural
Nationalism, Brucke and the German Woodcut: the Formation of a Collective
Identity’, Art History, June 1997.
Stein, L. ‘German Design and
National Identity, 1890-1918’, in Kaplan, W. (ed.) Designing Modernity: the Arts of Reform and Persuasion, 1885-1945,
Thames & Hudson, 1995.
Jan-Neubauer, J. Feet and Footwear in Indian Culture,
Mapin, 2000.
Guttry, I. De ‘Forging Modern
Italy: from Wrought Iron to Aluminium’, in
& Maino, M. Kaplan, W. (ed.) Designing Modernity: the Arts of Reform and
Persuasion, 1885-1945, Thames & Hudson, 1995.
Sparke, P. Italian Design: 1870 to the Present,
Thames & Hudson, 1988.
Heisinger, K. &
Fischer, F. Japanese Design: a Survey
Since 1950, Harry N. Abrams, 1994.
Bergvelt, E. ‘The
Decorative Arts in Amsterdam, 1890-1930’, in Kaplan, W. (ed.) Designing Modernity: the Arts of Reform and
Persuasion, 1885-1945, Thames & Hudson, 1995.
Crowley, D. ‘Finding
Poland in the Margins: the Case of the Zakopane Style’, Journal of Design History, Vol. 14, No. 2, 2001, pp105-116.
Naylor, G. ‘Swedish
Grace . . . or the Acceptable Side of Modernism?’ in Greenhalgh, P. (ed.) Modernism in Design, Reaktion Books,
1990.
Atkinson, D. ‘Vile
Creatures’: Homeworking in Spitalfields, London, 1880-1909, in Devonshire, A.
& Wood, B. (eds.) Women in Industry
and Technology from Prehistory to the Present Day, Museum of London, 1996.
*Bourdieu, P. Distinction: A Social Critique of the
Judgement of Taste, Routledge & Kegan Paul, 1984.
Bourke, J. Working Class Cultures in Britain,
1890-1960: Gender, Class and Ethnicity, Routledge, 1994.
Chaney, D. Lifestyles, Routledge, 1996.
Cohen, P.
‘Subcultural Conflict and Working-Class Community’ in Hall, S. et al (eds) Culture, Media, Language, Hutchinson,
1980.
Corrigan, P. The Sociology of Consumption, Sage
Publications, 1997.
Davidoff, L &
Hall, C. Family Fortunes: Men and Women
of the English Middle Class, 1780-1850, Routledge, 1992.
Doy, Gen Seeing and Consciousness: Women, Class and
Representation, Berg Publishers Ltd, 1995.
Fiske, J. Understanding Popular Culture, Unwin
Hyman, 1989.
Forty, A. Objects of Desire: Design and Society since
1750, Thames & Hudson, 1995.
Gloversmith, F. (ed.)
Class, Culture and Social Change: A New
View of the 1930s, Harvester Press, 1980
Hall, S. &
Jefferson, T. (eds.) Resistance through
Rituals: Youth Subcultures in Post-war Britain, Routledge, 1996.
Harrington,
C. Popular Culture: Production and
Consumption, Blackwell Publishers, 2001.
*Hebdige, D. Subculture & the Meaning of Style,
Routledge, 1988.
Hopkins, E. A Social History of the English Working
Classes, 1815-1945, Edward Arnold, 1979.
Lewis, L. (ed) The Adoring Audience: Fan Culture and
Popular Media, Routledge, 1992.
Lunt, P. &
Livingstone, S.M. Mass Consumption and
Personal Identity, Open University Press, 1990.
Massefoli, M. The Time of the Tribes: the Decline of
Individualism in Mass Society, Sage Publications, 1996.
McRobbie, A. Zoot Suits and Second Hand Dresses,
MacMillan, 1989.
McRobbie, A. Feminism and Youth Culture, MacMillan,
1991.
Muggleton, D. Inside Subculture: the Postmodern Meaning of
Style, Berg, 2000.
Savage, M. &
Miles, A. The Remaking of the British Working Class, 1840-1940, Routledge,
1994.
Shields, R. (ed) Lifestyle
Shopping: The Subject of Consumption, Routledge, 1992.
Stone, L. &
J.C.F. An Open Elite? England 1540-1880,
Oxford, 1984.
Storey, J. (ed) Cultural Theory and Popular Culture: A
Reader, Harvester Wheatsheaf, 1998.
Tagg, J. The Burden of Representation: Essays on
Photographies and Histories, MacMillan Press, 1988.
Thornton, S. Club Cultures: Music, Media and Subcultural
Capital, Polity Press, 1995.
Veblen, T. The Theory of the Leisure Class, Penguin
Books, 1994 (first ed. 1899).
Social
History and Journal of Social
History
Clarke, A.
‘Tupperware: Suburbia, Sociability and Mass Consumption’, in Silverstone, R.
(ed.) Visions of Suburbia, Routledge,
1997.
Girouard, M. Life in the English Country House, Yale
University Press, 1978.
Miller, M.B. The Bon Marche: Bourgeois Culture and the
Department Store, 1869-1920, Princeton University Press, 1981.
Redmile, B. A Brief History of Co-operative Fashion,
Brenda Redmile, 1998.
Service, A. Edwardian Interiors: Inside the Homes of the
Poor, the Average and the Wealthy, Barry & Jenkins, 1982.
Carter,
E. et al Space and Place: Theories of Identity and Location, Lawrence &
Wishart, 1993.
Cunningham, C. ‘‘An
Italian House is My Lady’: Some Aspects of the Definition of Women’s Role in
the Architecture of Robert Adam’, in Perry, G. & Rossington, M. (eds.) Femininity and Masculinity in 18th
C. Art and Culture, Manchester University Press, 1994.
Forty, A. Objects of Desire: Design and Society since
1750, Thames & Hudson, 1995.
Girouard, M. Life in the English Country House: A Social
and Architectural History, Yale University Press, 1978.
Keith,
M. & Pile, S. (eds) Place and the
Politics of Identity, Routledge, 1993.
King, A. D.
‘Excavating the Multicultural Suburb: the Hidden History of the Bungalow’, in
Silverstone, R. (ed.) Visions of Suburbia,
Routledge, 1997.
Matrix Making
Space: Women and the Man Made Environment, Pluto Press, 1984.
Scott,
K. The Rococo Interior: Decoration and
Social Spaces in Early Eighteenth Century Paris, Yale University Press,
1995.
Sparke,
P. ‘‘The Things which Surround One’: the Domestic Aesthetic’ in Sparke, P. As Long As It’s Pink, Harper Collins
Publishers, 1995, pp31-49.
Turner, M. and
Hoskins, L. Silver Studio of Design: a
Design and Source Book for Home Decoration, Magma Books, 1995 (1st
ed. 1988)
Andrews, M. All the World and Her Husband: Women in
Twentieth-Century
& Talbot, M. Consumer Culture, Cassell, 2000.
*Attfield,
Judy ‘FORM/ female FOLLOWS FUNCTION/ male: Feminist Critiques of Design’, in
Walker, John A, Design History and the
History of Design, Pluto Press, 1989.
Bo,
F. Imagining Women: Cultural Representations
and Gender, Polity Press, 1992.
*Buckley, C. ‘Made in
Patriarchy: Toward a Feminist Analysis of Women and Design’ in Margolin, V.
(ed.) Design Discourse: History, Theory,
Criticism, University of Chicago Press, 1989.
Dotterer, R. &
Bowers, S. Politics, Gender and the Arts:
Women, the Arts and Society, 1992.
Doy, Gen Seeing and Consciousness: Women, Class and
Representation, Berg Publishers Ltd, 1995.
Glover, D. &
Kaplan, C. Genders: New Critical Idiom, Routledge, 2000.
Mort, F. Cultures
of Consumption: Commerce, Masculinities and Social Space in Late Twentieth
Century Britain, Routledge, 1996.
Polity Press (ed.) The Polity Reader in Gender Studies,
Polity Press, 1994.
Robinson, H. (ed.) Visibly Female: Feminism and Art Today,
Camden Press, 1987.
Rutherford, J. Male Order: Unwrapping Masculinity,
Lawrence & Wishart, 1988.
Swann, J. Girls, Boys and Language, 1992.
Sparke, P. As Long As It’s Pink, Harper Collins
Publishers, 1995.
Whelehan, Imelda Modern Feminist Thought: From the Second
Wave to ‘Post-Feminism’, Edinburgh University Press, 1995.
Wallis, B. &
Watson, S. (eds.) Constructing Masculinity, Routledge, 1995.
Wolff, Janet ‘The
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Polity Press, 1994.
Wolff, Janet Resident Alien: Feminist Cultural Criticism,
Polity Press, 1995.
Anscombe, I. A Woman’s Touch: Women in Design From 1680
to the Present Day, Virago, 1984.
Attfield, J. & A View from the Interior: Feminism, Women
and Design, The Kirkham,
P. (eds.) Women's Press Ltd, 1989.
Breward, C. The Hidden Consumer: Masculinities, Fashion
and City Life 1860-1914, Manchester University Press, 1999.
Callen, A. Angel in the Studio: Women in the Arts and
Crafts Movement 1870-1914, Astragel Books, 1979.
Edwards, T. Men in the Mirror: Men’s Fashion,
Masculinity and Consumer Society, Cassell, 1997.
Jefferies, J. Reinventing Textiles: Gender and Identity,
Vol. 2, Telos, 2001.
Kirkham, P. The Gendered Object, Manchester
University Press, 1994.
McNeil, P. ‘Designing Women: Gender,
Sexuality and the Interior Designer, c.1890-1940’, Art History, Vol. 17, No. 4, Dec. 1994, pp631-657.
Parker, R. The Subversive Stitch: Embroidery and the
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H. et al The Lesbian and Gay Studies
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L. & Warner, M. ‘Sex in
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D. & Bielby, D. (eds.) ‘Commodity Lesbianism’, in Harrington, C. Popular Culture: Production and Consumption,
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M. & Henke, R. Negotiating Lesbian
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N. & Bloomington, E. More Gender
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M. Fear of a Queer Planet: Queer Politics
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J. Coming Out: Homosexual Politics in
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Darley, A. Visual Digital Culture: Surface Play and
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D. Articulating the Global and the Local:
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&
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Robins, K. Spaces of Identity: Global
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and
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Aaker, D.A. &
Joachimsthaler, E. Brand Leadership,
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Corporate Identity, Lund Hunphries,
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Bourdieu, P. The Field of Cultural Production, Polity
Press, 1993.
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(eds.) The Decline of the British Economy,
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Falk, P. & Campbell,
C. (eds.) The Shopping Experience, Sage Publications Ltd., 1997.
Forty, A. Objects of Desire: Design and Society since
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HAMC 3105: Cultural
Identity
ASSESSMENT SHEET
PRESENTATION
STUDENT NAME:
TUTOR:
Tutor’s Assessment
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Ability to critically analyse the theoretical approach and
argument of text |
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Ability in assessing the source material and evidence
basis of text |
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Ability in developing points for group discussion |
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Contextual research into subject demonstrated |
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Organisation of Material |
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Verbal ability and presentation of material |
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Further Comments |
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Date of seminar presentation:
Mark for consideration by the Subject Authority Board:
HAMC 3105: Cultural Identity
ASSESSMENT SHEET
RESEARCH REPORT
STUDENT NAME:
Tutor’s Assessment
Clarity of Essay Plan
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Level of theoretical preparation |
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Quality of Research |
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Quality of written communication |
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Further comments |
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Date of Assessment:
Mark for consideration by the Subject Authority Board:
HAMC 3105: Cultural Identity
ASSESSMENT SHEET
ESSAY
STUDENT NAME:
Tutor’s Assessment
Level of critical analysis
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Structure and sustained argument |
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Quality of research and bibliography |
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Substantiation of statements with evidence / referencing. |
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Effective use of visual aids |
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Quality of written communication |
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Further comments |
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Date of Assessment:
Mark for consideration by the Subject Authority Board: