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NB. For pdf versions of the course outlines and
bibliographies please go to the GLAADH Resources section and
then choose Initiatives Course Materials or
Initiatives Bibliographies and scroll down the index.
Report
Setting
The GLAADH-assisted World Cinema project has initially been
developed as a component of the MA in History of Film and Visual Media within
the School of History of Art, Film and Visual Media at Birkbeck College,
University of London. Birkbeck College as a whole is committed to offering
educational opportunities to those who might not ordinarily be able to study at
graduate and post-graduate level, and to provide opportunities to study new and
innovative subject areas.
The MA has run for the past twelve years, initially by the
British Film Institute in association with Birkbeck, and then, from 1999,
within Birkbeck College itself. The GLAADH funding has helped to purchase
videos and DVDs in support of two programmes of study: the Perspectives in
World Cinema option module course which forms part of the MA in History of Film
and Visual Media, and an invited speaker series which runs during the summer
term and which this year has primarily focused on aspects of World Cinema. The
two programmes have been designed to run both as a related pair, with the
summer talks series expanding aspects of the taught course, and as separate
entities so that the invited speaker talks could address, and be satisfactory
to, a more general audience which had not attended the taught course.
The Perspectives in World Cinema option course has been
running since October 2002, and is co-taught by Professor Laura Mulvey and
Visiting Leverhulme Professor Lucia Nagib. The course, which currently attracts
approximately 12-15 students, was introduced in response to a perceived lack of
coverage of non-Western cinemas on the MA History of Film and Visual Media. The
invited speaker series has looked, in the first instance, at Brazilian,
Iranian, and Far Eastern cinemas, and has been well attended, with some talks
attracting over 60 people.
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Poster advertising a lecture from the Summer Talks
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The already available resources for both initiatives was a
small collection of non-Western films on VHS and DVD within a larger collection
which was overwhelmingly Western in bias. This small collection has now been
substantially enlarged through the GLAADH funding.
Description
The first step to take was to design the Perspectives in
World Cinema course and to formulate the list of desired speakers for the
summer term series of talks. Professors Laura Mulvey and Lucia Nagib designed
the MA module course outline, while Professor Mulvey formulated the list of
speakers. From these documents, a list of desired film titles was drawn up and
Dr. Mike Allen was principally assigned to find and purchase them, with
Professors Mulvey and Nagib purchasing individual titles as required. The
principal method was to use an already functioning account with the Oxford
Circus branch of HMV. This provided most of the desired titles, with others
purchased individually through other online sites such as amazon.com, as well
as some rare and obscure titles being obtained from their native countries. The
main purchasing route via the HMV account, supplemented by more specialist
acquisitions, seemed to us the best way to provide both coverage and quality of
titles. Constraints included the usual difficulty of finding certain titles,
and the occasional non-availability of some titles on either VHS or DVD.
Support came from both the team of film lecturers and the administration staff
of the School, who all made strenuous efforts to find the desired titles.
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Professor Lucia Nagib |
Time spent on the enterprise varied from
person to person. Professors Mulvey and Nagib spent some 15-20 hours designing
the course outline and timetable, 25-30 hours each teaching it during the
Spring term 2003, and 10-15 hours marking the final coursework essays. In
addition Professor Mulvey spent perhaps 20-30 hours contacting speakers for the
invited talks series, and 30 hours chairing the weekly sessions. Professor
Nagib spent several days writing and preparing her Leverhulme Lecture on 'City
of God', and two hours presenting it and conducting the subsequent discussion
with the audience. Dr. Mike Allen spent between 10-20 hours tracing and
purchasing films on VHS and DVD, and making them available for viewing through
the School's special collection service.
Evaluation
Response to both the Perspectives on World Cinema
course and the invited speaker talks on aspects of non-Western film
have been very positive (please see attached questionnaires). Indeed, students
have found them amongst the most enjoyable and stimulating elements of their
studies at Birkbeck. Their comments in the returned questionnaires will help to
adjust the content of both initiatives for next academic year. The presence of
both the Perspectives in World Cinema course unit and the invited talks on
non-Western cinemas have demonstrably broadened the scope of the subject areas
offered to the students taking the MA in History of Film and Visual Media, as
well as other interested students within the School, ex-students of the film
programme, and other interested parties. This broadening of scope has had the
effect of making students, many of whom had no previous knowledge of
non-Western cinema, aware of the rich diversity of these other filmmaking
traditions.
In terms of what would have been done
differently: student feedback suggested both a reduction in the number
of countries covered in both the Perspectives in World Cinema course and the
invited speaker talks, and the reversal of the two halves of the Perspectives
course to allow the multi-country unit to come first, followed by the specific
study of Brazilian cinema. These changes will be effected for next academic
year. Perhaps, also, more focused advertising and notification would have
brought even bigger audiences to some talks.
Both the Perspectives in World Cinema
option module and the summer series of invited speakers were
very successful, justifying the efforts taken to design, resource and conduct
them. Both will therefore continue next academic year. The Perspectives on
World Cinema module will shift focus slightly to offer students a two-five week
block structure, the first five weeks concentrating, as with this year, on
Brazilian cinema while the second five weeks will look at aspects of Asian
cinema. Both will be taught by Professor Lucia Nagib while Professor Laura
Mulvey is on sabbatical leave.
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