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Revised Proposal March 2003
Background Since submitting the
original proposal, some modifications have been made in terms of methodological
approach. The project's main aim remains the revision of the department's
teaching on the modern city to include a body of material from Latin America.
However, the focus has shifted and now concentrates on integrating an analysis
of Latin American Modernism into European and American debates about Modernism.
Williams' research has centred on the ways in which Latin American Modernist
architecture contests traditional interpretations of Modernism and challenges
questions of periphery and centre, rather than developing a discrete study of
Latin America which might lead to him being regarded as a Latin American
'specialist'. As such the proposed level 3 and 4 Honours course on Latin
American Modernism has been withdrawn for the time being.
Work on integrating Latin American Modernism into existing
courses was already in progress in a limited way at the time of the application
to GLAADH, building up images and texts that resulted from a research visit to
Brazil made in September 2001. The application to GLAADH was for funds for this
work to be continued and substantially extended, with funds being principally
used to support a research trip to Mexico City. The main outcome of this is a
collection of images of the contemporary city, along with the knowledge and
confidence to use them correctly. In this way, what was a peripheral interest
in teaching was to be made much more central.
The project has few material results as yet, as the field
visit to Mexico City had to be postponed until June 2003 because Williams
received a Leverhulme research fellowship last year. The changes to the
curriculum will take place during the summer 2003 and will be implemented by
September. However, significant progress has been made in terms of resolving
key issues and problems around the project, particularly those of materials.
Teaching Methods and Development of
Courses This will require some innovation in the way the material
is used in taught, and at this stage I propose to do the following: (1) Treat
Latin America in relation to other areas, focusing on (for example) the
exoticisation of it and its architecture in Europe and the US, and conversely
the use of architecture by Latin American countries as a means of developing an
identity independent of the so-called 'developed' world. This focus on what are
essentially questions of identity will produce some novel teaching on Modernism
at first and second year levels, where the traditional focus on European and US
Modernism tends to produce an impression of it as severe, limiting and
authoritarian. It will also involve a major rethink of some of the Honours
material I teach on Los Angeles in terms of Latin questions. The possibilities
here were made clear to me on a recent visit to LA. The literature on LA as a
Hispanic city is very large, and some of it could be happily incorporated into
future teaching. (2) Make better use of contemporary materials that have
emerged from Latin America. A series of recent films have also provided
outstanding images of contemporary Latin American cities - Amores
Perros, Y tu Mama También (both set in, or partially in
Mexico City), Central do Brasíl and Cidade de Deus
(Rio de Janeiro) - and these films, subject to availability, will be used in
the same way that Blade Runner has been used in respect of Los Angeles
in previous courses.
Courses The impact of the new material
will be first seen in the Honours course' The Contemporary City' and the MSc
option 'Architecture and Modernity' to be offered during Autumn 2003. Each
course will integrate new elements on the idea of the Latin American city.
Similar material will be provided for the MA course 'Architecture and
Identity', which will be offered for the first time in 2003.
Material Questions The June 2002 GLAADH
Workshop threw up a number of serious questions around the way the new material
might be researched and taught. Some books have been ordered in preparation for
the new teaching, and it has been encouraging to see the occasional journal
article (for example a recent piece of Mexico City architecture in the design
magazine Blueprint). There is also now a significant amount of material
around the work of the Mexican architect Luís Barragán after the
recent exhibition at the Design Museum, London. But the relative lack of
published material on Latin American visual culture in English really prevents
the teaching of this area to the same depth as other taught subjects. Some
students will have a reading ability in Spanish or Portuguese, but most will
not, and there is nothing much we can do about it.
Resources The aim of the project was to
build a group of images, bibliography and data on Modernist buildings in Mexico
to be made available to other universities and to students at Edinburgh. This
set of images would be unique because it is material rarely published. However,
the aims have shifted to accommodate changes in the timetable. The project will
produce: (a) A collection of approximately 100 35mm slides to be catalogued
and added to the University slide collection. These will be available for use
in teaching under existing rules by staff and students at all levels. (b)
These images will be digitised in 2004-5 at the expense of the University as
part of the ongoing digitisation project in History of Art. (c) A set of
five packs of 25 slides each will be made for general circulation. Each pack
will contain a selection of images of modernist architecture and public art
from Brazil and Mexico from Richard Williams's collection. They will be made
available for borrowing on request for teaching purposes. A list of the
contents of the pack will be made available for the GLAADH website. (d) A
list of films used in the course together with details of their sources will
also be provided for the GLAADH website
Future curriculum developments The new
material will feed into new developments at level 1 and 2 from 2004 onwards. A
new course for level 2 provisionally for 2004-5 will be developed in
conjunction with the former department of Architecture, which is likely to be
structured around the theme of the city. Any such course will make reference to
the new material developed on the Latin American city, and there will be
contributions from colleagues on the Chinese city and the city in the Islamic
world. Proposals including this material are at a discussion stage with
Architecture.
The new material will also allow postgraduate supervision in
the area of Latin American Modernism. This will be advertised as a supervisory
area on the School website from September 2003.
Both of the above are highly likely developments. In the
more distant future, with further research, and better teaching resources it is
hoped to produce an entirely new course at honours level on modernism in Latin
American visual culture.
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