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GLAADH
Workshop
9-10 November 2001 University Of Sussex
Institute of Development Studies (IDS)
Friday 9 November
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11.30 |
Registration and Coffee |
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12.30 |
Lunch |
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1.30 |
Welcome Craig Clunas, GLAADH
Project Director (University of Sussex) |
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1.50 |
Italy to
Africa Evelyn Welch (University of Sussex) |
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2.30 |
GROUP SESSIONS: RESOURCES You can choose
one of the following options. These sessions will take place in individual
rooms.
- Funding Opportunities
Mick
O'Malley (University of Sussex)
- Resources on the Web
Veronika
Sekules & Paul Child, Artworlds project (University of East Anglia)
- Collections as a
resource
Nicholas Pearce (University of Glasgow)
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3.30 |
Tea |
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4.00 |
Changes in
the Curriculum Barry Jackson (Middlesex) & Pauline Ridley
(ADC-LTSN Centre, University of Brighton) |
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5.30 |
Reception at the Barlow Collection of Chinese
Ceramics University Library Building |
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6.30 |
Bus to Lewes for Dinner |
Saturday 10 November
|
9.00 |
Bus to Falmer (for group staying in
Lewes) |
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9.30 |
Coffee |
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10.00 |
Teaching
Islamic Art: Experiences, Issues and Possibilities Robert
Hillenbrand (Edinburgh University) |
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11.00 |
GROUP SESSIONS: DIVERSIFYING THE
CURRICULUM You can choose one of the following options. These sessions will
take place in individual rooms.
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11.45 |
Tea |
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12.15 |
GROUP SESSIONS: CONTEXT AND HISTORIES IN
TEACHING You can choose one of the following options. These sessions will
take place in individual rooms.
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1.15 |
Lunch |
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2.30 |
Concluding Discussion |
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3.30 |
Registration for GLAADH
Projects in 2002-2003 |
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4.00 |
Workshop ends |
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Overview Some issues
raised
Prof Craig Clunas opening address proposed that the
GLAADH Workshop be taken as an opportunity to exchange practices, problems and
experiences in diversifying the AADH curriculum. He registered the project
teams awareness of the existing diversity of practices within the field.
This was something that had not been fully recognised in the recent round of
Subject Review conducted under the QAA, yet was revealed in the course of a
GLAADH survey. The survey also brought out the strong willingness to share
amongst departments.
Also voiced were concerns over the dangers of an uncritical
move toward diversity, and a host of other complex issues. Building on the
keenness of those participating in the project, Craig expressed the hope that
the following days of discussions and presentations would serve to focus and
further these enthusiasms, whilst beginning to tackle and face the breadth of
current concerns.
A further issue raised by Craig Clunas (Sussex) was that
there is a tendency to think that introducing studies of cultural diversity
into the curriculum means focusing on cultural diversity as if it were separate
and ignoring other issues of diversity (sexualities, class, gender, religious
affiliations etc.) as they interrelate with cultural diversities.
Another conference speaker Irit Rogoff (Goldsmiths)
underlined that cultural diversity needed to be studied in terms of diversity
to be found in what is considered to be 'safely' within the traditions of
western art and inside the geographical spaces of 'the west' rather than being
separated out into looking at things supposedly beyond a notional 'west'. Irit
Rogoff reported that colleagues at Goldsmiths had been conducting a series of
successful experiments in curriculum design so as to ensure the fullest
possible integration of the study of cultural diversity. Courses had been
designed to investigate a variety of themes and issues rather than aiming to
'cover' periods, styles or places. She reported that the organisation of the
curriculum in this way had helped to elide the notions of boundaries and
hierarchies between 'the west and the rest' which may be reinforced in courses
which posit discrete geographical and chronological entities, and definition of
styles.
Another recurrent issue had to do with the role of the
specialist, and the legitimacy or appropriateness of teaching outside
ones own area of expertise. Although some speakers voiced concern at the
possible erosion of standards arising from a dilettante approach
and the negative consequences it might have for existing specialists in the job
market, most speakers supported the idea of non-specialists approaching new
subjects. John Picton (SOAS) said that "theres nothing I do that anyone
else couldnt do", while Robert Hillenbrand (Edinburgh University) noted
the accessibility and potential of Islamic materials for teaching and learning,
while emphasizing that subjects such as Islamic art benefit from the enormous
freedom of not having to deal with three hundred years of accumulated
scholarship. There is elbow room to address bold new topics and engage in new
avenues of research.
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